Archive for the 'News' Category

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A Masterpiece at Ground Zero

From Martin Filler at The New York Review of Books

I wept, but about what precisely I cannot say. Much to my amazement, after having done everything possible to shut out the ubiquitous maudlin press coverage that engulfed the tenth anniversary of the 2001 terrorist attacks, I visited Michael Arad’s National September 11 Memorial in New York City—which was dedicated exactly a decade after the disaster—to find that it impressed me at once as a sobering, disturbing, heartbreaking, and overwhelming masterpiece.

Arad’s inexorably powerful, enigmatically abstract pair of abyss-like pools, which demarcate the foundations of the lost Twin Towers, comes as a surprise to those of us who doubted that the chaotic and desultory reconstruction of Ground Zero could yield anything of lasting value. It is generally held that great architecture requires the participation of a great client, but just how this stunning result emerged from such a fraught and contentious process will take some time for critics and historians to sort out. More…

Steve Jobs demos Apple Macintosh, 1984

Time Elapsed by Philippe Malouin and Lobmeyr

From Dezeen

Vienna Design Week 2011: a rotating arm deposits spirals of quartz sand on the showroom floor at crystal company Lobmeyr in Vienna this week, thanks to Canadian designer Philippe Malouin.

Time is a quality that makes Lobmeyr so special.

Not only do their glass objects posses timeless designs, independent of changing fashions, but the calibre of the crystal itself means they stand the test of time. Great investments of time are taken in producing and decorating the crystalware, up to 100 hours for a single object, and this investment differentiates Lobmeyr from other glass manufacturers. We have used the theme of time here to illustrate how unique Lobmeyr is.

The flow of sand through an hourglass is traditionally used to keep track of elapsed time. It is also physical representation of the fine line between the past and the future. Through the machine in this room, the deposition of sand forms not minutes and hours on a clock face but abstract and changing patterns, illustrating the link between time and decoration. The sand also holds a physical connection with Lobmeyr, since it is the raw material from which the crystal is created. More…

Fountain at Kyoto’s Westin Miyako

This fountain runs intermittently near an underground entrance to the Westin

Water Calligraphy Device by Nicholas Hanna

From de zeen magazine

Beijing Design Week 2011:a tricycle modified by Canadian artist Nicholas Hanna mimics the Chinese custom of writing temporary messages on the road with water.

To See More…

 

Ikea Stonehenge

From Retronaut

To See More…

designjunction


22-25 September 2011
Victoria House Basebment
37-63 Southampton Row
WC1B 4DA

Following its successful debut appearance at this year’s Salone del Mobile, Milan, designjunction london, will showcase the very best in global design during the London Design Festival.

Under the creative direction of celebrated British designer Michael Sodeau, designjunction london, will take over the impressive surrounds of Victoria House (Holborn, central London) with over 2,000 sqm of exhibition space.

Bringing together a stellar line-up of leading UK and international lighting and furniture brands, the event is set to excite, inspire and challenge anyone with a passion for design.

designjunction will be open from Thursday 22 September – Sunday 26 September from 11am to 6pm. More…

Berlin Galleries’ Newest Home

From Kimberly Bradley at The New York Times

The art scene in Berlin can sometimes seem like a big game of musical chairs, as galleries migrate from neighborhood to neighborhood in search of undiscovered spaces, low rents and artist-friendly locals. The latest move, though, is a little different.

The new hub, along Potsdamer Strasse, situated mostly in West Berlin’s Tiergarten district, is actually an old one. Until World War II, around 200 art and antiques dealers were situated in the then-elegant neighborhood, along with a lively night-life scene; after the war, the dealers failed to rematerialize along the street.

In recent years, Berlin’s art world has downshifted. Many small galleries have closed, and the city’s main art fair, Art Forum Berlin, was recently canceled after a 15-year run. The gallery cluster on Potsdamer Strasse, though, takes a new approach; it is almost hidden from the public: the street is lined with cheap clothing shops, Turkish vegetable markets and empty storefronts, while most of the galleries are on upper floors or hidden in back courtyards. More…

Rethinking the Waiting Room by Fuelfor

From Dezeen

Waiting is a common pain point in many health systems. As resources are increasingly overstretched, some degree of waiting is inevitable for most healthcare services. And yet hospital waiting rooms tend to be some of the most uncomfortable spaces to spend time, both physically and emotionally.

Research shows that a well designed waiting experience has the potential to improve the overall perception of a health care service and to optimise care delivery processes.

Gathering insights through site visits to several hospitals and clinics and discussions with care givers and patients, fuelfor has created a system of furniture, interior design, service and signage concepts that aim to make the experience of waiting in healthcare positive, effective and comfortable.

MODU is a modular furniture system that can be adapted to support different types of activities, people and facilities; elements can be reconfigured by a healthcare provider as a service evolves. Moveable arm rests and a choice of different density cushion pads allow people to create their own physical comfort zone. Wheelchair users and children in strollers have designated waiting space alongside their loved ones. More…

Design-speak–Augmented communication at the Museum of Modern Art

From Morgan Meis at The Smart Set

Not many people know what designers do. Designers themselves often have trouble explaining their work. Designers design, of course. But what does that mean? How is designing different from inventing, or making, or some other sort of doing?

Bruce Archer, the influential Professor of Design Research at Royal College of Art once wrote, “Design is that area of human experience, skill and knowledge which is concerned with man’s ability to mould his environment to suit his material and spiritual needs.” It is a good general definition, but it lacks specificity. Maybe the old Modernist credo “form follows function” is more direct. From that perspective, the purpose of design is to understand the function of an object and then make sure that the form of that object is as perfectly tailored to the function as possible. Think of an Eames molded chair from the 1940s. It is impossible to look at the inviting and simple curves of the chair without wanting to sit down in it. Good design is what works well; great design is when something that works well feels as if it couldn’t possibly be doing anything else. More…