From Martin Filler at The New York Review of Books…
I wept, but about what precisely I cannot say. Much to my amazement, after having done everything possible to shut out the ubiquitous maudlin press coverage that engulfed the tenth anniversary of the 2001 terrorist attacks, I visited Michael Arad’s National September 11 Memorial in New York City—which was dedicated exactly a decade after the disaster—to find that it impressed me at once as a sobering, disturbing, heartbreaking, and overwhelming masterpiece.
Arad’s inexorably powerful, enigmatically abstract pair of abyss-like pools, which demarcate the foundations of the lost Twin Towers, comes as a surprise to those of us who doubted that the chaotic and desultory reconstruction of Ground Zero could yield anything of lasting value. It is generally held that great architecture requires the participation of a great client, but just how this stunning result emerged from such a fraught and contentious process will take some time for critics and historians to sort out. More…
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