Monthly Archive for December, 2010

Reserve Your Tickets–Design Conference Dinner at MACRO Museum

The 2011 Design Conference delegates and plenary speakers will gather together for the conference dinner on Thursday, 3 February at the Museo D’Arte Contemporanea Roma, or the Museum of Contemporary Art of Rome (MACRO).

The MACRO, designed by Odile Decq, is Rome’s museum of contemporary art, constructed on the site of a former brewery. The space houses exhibition spaces, artworks storage, conference rooms, a library, and event and restaurant space. The first phase of the conversion of the MACRO was completed in 1999 with the restoration of the old plant design of the Peroni brewery, built in the early twentieth century on via Reggio Emilia, which has recently been expanded by the leading French architect Odile Decq. The new wing of the building, with the entrance at the corner of via Nizza and via Cagliari, creates a dynamic balance, integrating the new structure into the district, putting the museum in dialogue with the city, offering the visitors and Roman citizens both the new exhibition and urban spaces, such as the large terrace, the parking, the library and the restaurant. The New MACRO joins the spaces of the MACRO Testaccio and the Pelanda, inside the former slaughterhouse in Testaccio, to make this multifaceted cultural centre a Roman institution that aims to promote the value of contemporary Italian and international art.

To reserve your place at the dinner, or for more information, please visit the Activities & Extras webpage.

From Somewhere, Sustainable London based fashion label–Plenary Speaker, Design Conference, Rome

From Somewhere, an up-cycling, sustainable fashion label based of London, will be joining the 2011 Design Conference Plenary Speakers at Sapienza University of Rome, Italy. From Somewhere will present on ‘Processes’ within the conference’s theme, Design: Useful & Futile, 2-4 February 2011.

From Somewhere, recycling since 1997, is a creative sustainable fashion label run by Orsola de Castro and Filippo Ricci. All womenswear collections are made with luxury design pre-consumer waste such as proofs, swatches, production off-cuts and end of rolls – up-cycling high-end fashion and textile surplus into beautiful clothes that take into account the balance between consumption and disposal.

Reproducible in large numbers while still retaining elements of the unique, each piece is individually cut from high quality reclaimed fabrics including knitwear, cashmere, cotton shirting, silks, jerseys, tweeds and wovens. More…

Gillian Crampton Smith, Interaction Design at IUAV University–Plenary Speaker, Design Conference, Rome

Gillian Crampton Smith, Graduate Program of Interaction Design at IUAV University in Venice, Italy, will join the 2011 Design Conference Plenary Speakers at Sapienza University of Rome, Italy. She’ll be presenting on ‘Interactions’ under the conference’s theme, Design: Useful & Futile, 2-4 February 2011.

Having studied philosophy and history of art at Cambridge University, Gillian Crampton Smith spent the 1970s as a designer – first in book publishing, then on the Sunday Times and Times Literary Supplement. In 1981, she designed and implemented a page layout program to help her with magazine design – an early desktop publishing application. This experience convinced her that artists and designers have an important role to play in creating information technologies.  More…

Eco-friendly phone for Nokia by Daizi Zheng

From Dezeen

This is a client project for designing an eco friendly phone for Nokia. Through out my research, I found that phone battery as a power source, it is expensive, consuming valuable resources on manufacturing, presenting a disposal problem and harmful to the environment. The concept is using bio battery to replace the traditional battery to create a pollution free environment. Bio battery is an ecologically friendly energy generates electricity from carbohydrates (currently sugar) and utilizes enzymes as the catalyst. By using bio battery as the power source of the phone, it only needs a pack of sugary drink and it generates water and oxygen while the battery dies out. Bio battery has the potential to operate three to four times longer on a single charge than conventional lithium batteries and it could be fully biodegradable. More…

Stefano Giovannoni, Industrial, Interior Design and Architect–Plenary Speaker, Design Conference, Rome

Stefano Giovannoni, an Industrial, Interior Designer and Architect based in Milan, joins the 2011 Design Conference Plenary Speakers at Sapienza University of Rome, Italy. He’ll be presenting his plenary presentation on ‘Products’ under the conference’s theme, Design: Useful & Futile, 2-4 February 2011.

Stefano Giovannoni was born in La Spezia, Italy and graduated from the Faculty of Architecture in Florence. Currently, he lives and works in Milan.

As an industrial designer he has collaborated with such companies as Alessi, Amore Pacific, Bisazza, Cedderoth, Deborah, Elica, Fiat, Hannstar, Hansemm, Helit, Henkel, Kddi, Kokuyo, Inda, Laufen, Lavazza, Lg Hausys, L’Oreal, Magis, Mikakuto, Moooi, Ntt Docomo, Oras, Oregon Scientific, Puig, Pulsar, Samsung, Seiko, Siemens, 3M, Telecom, Toto, Veneta Cucine. More…

Stefano Boeri, Architect and Abitare editor–Plenary Speaker, Design Conference, Rome

Stefano Boeri, Architect, Professor and Editor of Abitare, joins the 2011 Design Conference Plenary Speakers at Sapienza University of Rome, Rome, Italy. He’ll be presenting his plenary presentation on ‘Environment’ under the conference’s theme, Design: Useful & Futile, 2-4 February 2011.

Stefano Boeri, born in 1956, lives and works in Milan. He set up the research agency Multiplicity and teaches urban planning at the Politecnico di Milano. He was editor of Domus from 2004-2007 and he has edited Abitare since September 2007. His Milan-based studio, Stefano Boeri Architetti, dedicates its work to research into and practical work around contemporary architecture and planning. On-going projects include – La Villa – Centre Régional de la Mediterranée (The Mediterranean regional centre) a multi-purpose building on the Marseilles waterfront commissioned by the PACA Region; a project for the clean-up and restoration of the ex-Arsenal of the archipelago of La Maddalena in Sardinia. More…

The Noun Project Uncovers the Designers Behind Our Universal Symbols

From Co.Design

Pop quiz: who designed the instantly-recognizable, universal symbol for “recycle”? Yeah, we didn’t know either — until we consulted The Noun Project, a brilliant site that’s part design utility, part history lesson. Not only can you download any of these icons and symbols for free, the site also pops up a neat little factoid for each one. (“Recycle” was designed by Gary Anderson in 1970, by the way.)

Edward Boatman launched The Noun Project via Kickstarter with a simple goal: to build a site for “sharing, celebrating and enhancing the world’s visual language.” Apparently it was an idea the web was waiting for, because Boatman has already received more than double the project’s original budget of $1500. (The site itself looks great too, thanks to Scott Thomas, who also designed our very own Co.Design.)

The just-plain-usefulness of the site is obvious to anyone who’s ever used CopyPasteCharacter, a similar compendium of typographical symbols. But the addition of historical tidbits is what makes The Noun Project more than a handy utility — it’s like a design-history wikipedia to lose yourself in. The biohazard symbol was designed by Dow? Who knew? More…

Minimalist Effect in the Maximalist Market by Antrepo

From Dezeen

Designers Antrepo have created conceptual packaging design for well-known supermarket products by stripping back the existing graphics in stages. Called Minimalist Effect in the Maximalist Market, the experiment asks readers to choose which of the stages they prefer.

(The) project is about simplicity and (trying) to find alternate simple version for some package samples of the international brands. (…) Almost every product needs some review for minimal feeling.

What is your choice in these 3 different variations?
1. Original variation
2. Simple variation
3. More simple variation

P.S. This project is only a design practice for showing minimal feeling of some international samples. It is an article about unnecessary items on the global brands, any of them, second or third variations are not new packaging proposals! A dose of minimalism and efforts for changing the perception is maybe the simplest definition for Antrepo Design Product. More…

Towering Holiday Tree Made of 86 Shopping Carts

From Inhabitat.com

“The shopping cart tree symbolizes both generosity and abundance, as well as acknowledging those less fortunate where their whole world may be housed in a cart. We see shopping carts every day and take them for granted. Individually the beauty of an everyday object may become invisible, but in quantity you can’t miss it,” says Anthony Schmitt of his design.

This actually isn’t the first year that the shopping cart tree has gone up – Schmitt conceived the idea 14 years ago at the request of Abby Sher, the former owner and developer of Edgemar, and the Colwell and Belden families have continued the annual tradition of commissioning the tree since buying Edgemar in 2007.

The 2010 tree is made out of mostly full size carts with some smaller versions at the top to create a forced perspective of height. The carts are supported by an internal structure that remains nearly invisible, allowing the carts to seem like they were merely stacked atop one another and left in that perilous formation. More…

The most-read man in the world

From The Economist

Matthew Carter, a type designer and the recipient of a MacArthur genius grant, was recently approached in the street near his home in Cambridge, Massachusetts. A woman greeted him by name. “Have we met?” Mr Carter asked. No, she said, her daughter had pointed him out when they were driving down the street a few days before. “Is your daughter a graphic designer?” he inquired. “She’s in sixth grade,” came the reply.

Mr Carter sits near the pinnacle of an elite profession. No more than several thousand type designers ply the trade worldwide, only a few hundred earn their keep by it, and only several dozens—most of them dead—have their names on the lips of discerning aficionados. Then, there is Mr Carter. He has never sought recognition, but it found him, and his underappreciated craft, in part thanks to a “New Yorker” profile in 2005. Now, even schoolchildren (albeit discerning ones) seem to know who he is and what he does. However, the reason is probably not so much the beauty and utility of his faces, both of which are almost universally acknowledged. Rather, it is Georgia and Verdana. Mr Carter conjured up both fonts in the 1990s for Microsoft, which released them with its Internet Explorer in the late 1990s and bundled them into Windows, before disseminating them as a free download. More…