The Age of Concrete

Blaine Brownell at The New York Times

COME April, the first tenants may finally be able to move into Dubai’s Burj Khalifa, now the tallest building in the world. Despite a series of setbacks since its ostensible opening two months ago, including the closing of the observation deck, the tower has already prompted an exuberant proliferation of record-breaking statistics: it soars more than half a mile high, stands twice the height of the Empire State Building, boasts views that reach 60 miles, etc. But all the hoopla misses two other symbolic milestones that should enliven the history books. Namely, the Burj Khalifa is primarily residential and its structural frame is reinforced concrete.

Why are these two facts so important? The pursuit of maximum altitude is a major technological undertaking, requiring extraordinary economic investment, significant innovations in materials and a high tolerance for risk; as we survey the monuments of architectural history, tall structures provide remarkable insights about the aspirations of the societies that created them.

Think back to the Middle Ages. The soaring cathedrals of Notre-Dame de Paris and Chartres were awe-inspiring landmarks in stone. Gothic churches maximized the structural capacity of available materials, transforming heavy rock into delicate, lofted skeletons enclosing voluminous spaces. Pilgrims to these edifices would no doubt have been awed by their apparent defiance of gravity, and moved by the breathtaking spiritual power conveyed by the churches’ vast, light-pierced interiors. More…

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